Wednesday, June 5, 2013
The Problem of Space Travel: The Rocket Motor
The Problem of Space Travel: The Rocket Motor
http://history.nasa.gov/SP-4026/contents.html
Melencolia

Melencolia I
Artist
|
|
Year
|
1514
|
Type
|
engraving
|
Dimensions
|
24 cm × 18.8 cm (9.4 in × 7.4 in)
|
Melencolia I is a 1514 engraving by the German Renaissance master Albrecht Dürer. It is an allegorical composition which has been the
subject of many interpretations. One of the most famous old master prints, it has sometimes been regarded
as forming one of a conscious group of Meisterstiche ("master
prints") with his Knight, Death and
the Devil (1513) and Saint Jerome
in his Study (1514).
Interpretations
Detail of the
magic square
The work has
been the subject of more modern interpretation than almost any other print,[2] including a two-volume book by
Peter-Klaus Schuster,[3] and a very influential discussion in
his Dürer monograph by Erwin Panofsky.[4] Reproduction usually makes the image
seem darker than it is in an original impression (copy) of the engraving, and
in particular affects the facial expression of the female figure, which is
rather more cheerful than in most reproductions. The title comes from the
(archaically spelled) title, Melencolia I, appearing within the
engraving itself. It is the only one of Dürer's engravings to have a title in
the plate. The date of 1514 appears in the bottom row of the magic square, as well as above Dürer's
monogram at bottom right. Suggestions that a series of engravings on the
subject was planned are not generally accepted. Instead it seems more likely
that the "I" refers to the first of the three types of melancholia
defined by the German humanist writer Cornelius Agrippa.
In this type, Melencholia Imaginativa, which he held artists to be
subject to, 'imagination' predominates over 'mind' or 'reason'.
One
interpretation suggests the image references the depressive or melancholy state and accordingly explains various
elements of the picture. Among the most conspicuous are:
- The tools
of geometry and architecture surround the figure, unused
- The 4 × 4 magic square, with the two middle cells of
the bottom row giving the date of the engraving: 1514. This 4x4 magic
square, as well as having traditional magic square rules, its four
quadrants, corners and centers equal the same number, 34, which happens to
belong to the Fibonacci sequence.
His age in 1514 was 43, reverse of 34.[original
research?]
- The
truncated rhombohedron[5] with a faint human skull on it. This shape is now known
as Dürer's solid;
over the years, there have been numerous articles disputing the precise
shape of this polyhedron[6])
- The hourglass showing time running out
- The empty
scale (balance)
- The
despondent winged figure of genius
- The purse
and keys
- The beacon
and rainbow in the sky[7]
- Mathematical
knowledge is referenced by the use of the symbols: compass, geometrical
solid, magic square, scale, hourglass.
An
autobiographical interpretation of Melencolia I has been suggested by
several historians. Iván Fenyő considers the print a representation of the
artist beset by a loss of confidence, saying: "shortly before [Dürer] drew
Melancholy, he wrote: 'what is beautiful I do not know' ... Melancholy
is a lyric confession, the self-conscious introspection of the Renaissance
artist, unprecedented in northern art. Erwin Panofsky is right in considering
this admirable plate the spiritual self-portrait of Dürer."[8]
Notes
1.
^ "Melencolia I (Die Melancholie)" (in
Deutsch). Staatliche Kunsthalle Karlsruhe. Retrieved 17 July 2012.
2.
^ Dodgson, Campbell (1926). Albrecht Dürer. London:
Medici Society. p. 94. "The
literature on Melancholia is more extensive than on any other engraving
by Dürer: that statement would probably remain true if the last two words were
omitted."
3.
^ Schuster, Peter-Klaus (1991). MELENCOLIA I: Dürers
Denkbild. Berlin: Gebr. Mann Verlag. pp. 17–83.
4.
^ Panofsky, Erwin; Klibansky, Raymond; Saxl, Fritz (1964). Saturn and melancholy. New York: Basic Books,
Inc.
6.
^ Weitzel, Hans. A further hypothesis on the polyhedron of
A. Dürer, Historia Mathematica 31 (2004) 11
7.
^ It has been conjectured that Dürer had seen the Ensisheim meteorite
in 1492 and remained deeply impressed, see Ursula B. Marvin, "The
meteorite of Ensisheim - 1492 to 1992", Meteoritics 27, p. 28-72 (1992)
and Christopher Cokinos,
"The Fallen Sky: An Intimate History of Shooting Stars", New York:
Tarcher/Penguin (2009).
References
- Brion,
Marcel. Dürer. London: Thames and Hudson, 1960
- Nürnberg,
Verlag Hans Carl. Dürer in Dublin: Engravings and woodcuts of Albrecht
Dürer. Chester Beatty Library, 1983
- Ewald
Lassnig, Dürers "MELENCOLIA-I" und die Erkenntnistheorie bei
Ulrich Pinder; in: Wiener Jahrbuch für Kunstgeschichte, 2008, S.
51-95
- Ernst Th.
Mayer: Melencolia § I – der "angelo terrestre" und sein
gleichzeitiges doppeltes Sehvermögen. Befunderhebung aufgrund der
visuellen Geometrie von Dürers verschlüsseltem Selbstbildnis (1514). In:
Musik-,Tanz- und Kunsttherapie, Vol. 20, 2009, Nr. 1, S. 8–22.
Henry Jackson Society
The Henry Jackson Society is a cross-partisan, British-based think-tank. Our founders and supporters are united by a common interest in fostering a strong British and European commitment towards freedom, liberty, constitutional democracy, human rights, governmental and institutional reform and a robust foreign, security and defence policy and transatlantic alliance.
The Henry Jackson Society was founded in Cambridge, on March 11 2005, and was launched in the Houses of Parliament, on November 22 2005.
http://henryjacksonsociety.org/
Jackson started out during the Second World War as something of an isolationist and voted against initial plans to help Great Britain through the Lend-Lease programme. Very soon, however, the course of events caused him to change his mind, and Jackson remained a protagonist of US international engagement and the application of US power until the end of his life. During the war he was an enthusiastic supporter – along with many other liberals, such as the later Chief Justice Warren – of the internment of the Japanese; this was perhaps his greatest misjudgement. In the 1950s, by contrast he was a critic of the red-baiter Senator McCarthy and his methods, which he felt gave the noble cause of anti-communism a bad name.
At first, Jackson was very much within the mainstream of the Cold War liberal Democratic Party. He was later marginalised as the party moved to the left after 1968, especially on foreign policy. A strong supporter of Lyndon Johnson’s war to contain communism in Vietnam, Jackson became a highly effective critic of Détente with the Soviet Union, which he felt sold out human rights and compromised the security of the free world. Very occasionally, Jackson was prepared to put strategic concerns ahead of human rights – for example in his support for an opening to Peking to balance Moscow – but he was a supporter of sanctions on the apartheid regime in South Africa, even when some thought this inopportune.
He was an unsuccessful candidate for the Democratic nomination in 1976. Though Jackson remained a loyal Democrat to the end, many of his supporters and staffers switched to the Republicans under Reagan.
The Henry Jackson Society was founded in Cambridge, on March 11 2005, and was launched in the Houses of Parliament, on November 22 2005.
http://henryjacksonsociety.org/
US Senator for Washington State, 1953-1983
Henry M. Jackson (1912-1983) came from a working class Scandinavian background and was elected to the House of Representatives for his native Washington State in 1940. He was an ardent New Dealer, trade unionist, environmentalist and supporter of the early civil rights movement. He was centrally involved in such measures as the ‘Land and Conservation Act’ (1964), ‘The Wilderness Act’ (1964), the ‘National Seashore Bills’ and much else. He was the scourge of corporate interests, particularly power and oil companies, who objected to his enthusiasm for nationalisation and price controls.Jackson started out during the Second World War as something of an isolationist and voted against initial plans to help Great Britain through the Lend-Lease programme. Very soon, however, the course of events caused him to change his mind, and Jackson remained a protagonist of US international engagement and the application of US power until the end of his life. During the war he was an enthusiastic supporter – along with many other liberals, such as the later Chief Justice Warren – of the internment of the Japanese; this was perhaps his greatest misjudgement. In the 1950s, by contrast he was a critic of the red-baiter Senator McCarthy and his methods, which he felt gave the noble cause of anti-communism a bad name.
At first, Jackson was very much within the mainstream of the Cold War liberal Democratic Party. He was later marginalised as the party moved to the left after 1968, especially on foreign policy. A strong supporter of Lyndon Johnson’s war to contain communism in Vietnam, Jackson became a highly effective critic of Détente with the Soviet Union, which he felt sold out human rights and compromised the security of the free world. Very occasionally, Jackson was prepared to put strategic concerns ahead of human rights – for example in his support for an opening to Peking to balance Moscow – but he was a supporter of sanctions on the apartheid regime in South Africa, even when some thought this inopportune.
He was an unsuccessful candidate for the Democratic nomination in 1976. Though Jackson remained a loyal Democrat to the end, many of his supporters and staffers switched to the Republicans under Reagan.
Wallace Stegner - Environmentalist
Wallace Stegner
Wallace Stegner, c. 1969 | |
Born | Wallace Earle Stegner (1909-02-18)February 18, 1909 Lake Mills, Iowa, USA |
Died | April 13, 1993(1993-04-13) (aged 84) Santa Fe, New Mexico, USA |
Occupation | Historian, novelist, short story writer, environmentalist |
Language | English |
Nationality | American |
Period | 1937–1993 |
Notable award(s) | Pulitzer Prize for Fiction (1972, Angle of Repose) National Book Award for Fiction (1977, The Spectator Bird) |
Spouse(s) | Mary Stuart Page (1911–2010) |
Children | Page Stegner |
Personal life
Stegner was born in Lake Mills, Iowa, and grew up in Great Falls, Montana, Salt Lake City, Utah, and in the village of Eastend, Saskatchewan, which he wrote about in his autobiography Wolf Willow. Stegner says he "lived in twenty places in eight states and Canada".[4] He was the son of Hilda (née Paulson) and George Stegner.[5][6][7] Stegner summered in Greensboro, Vermont. While living in Utah, he joined a Boy Scout troop at an LDS Church (although he himself was a Presbyterian) and earned the Eagle Scout award. He received a B.A. at the University of Utah in 1930. He also studied at the Iowa Writers' Workshop at the University of Iowa, where he received a master's degree in 1932 and a doctorate in 1935.[8]In 1934, Stegner married Mary Stuart Page. For 59 years they shared a 'personal literary partnership of singular facility,' in the words of Arthur Schlesinger Jr.[9] Stegner died in Santa Fe, New Mexico, on April 13, 1993, from a car accident on March 28, 1993.[10]
Stegner's son, Page Stegner, is a novelist, essayist nature writer and professor emeritus at University of California, Santa Cruz. Page is married to Lynn Stegner, a novelist.[11][12] Page co-authored "American Places" and edited the 2008 Collected Letters of Wallace Stegner.[13]
Career
Stegner taught at the University of Wisconsin and Harvard University. Eventually he settled at Stanford University, where he founded the creative writing program. His students included Sandra Day O'Connor, Edward Abbey, Wendell Berry, Simin Daneshvar, Andrew Glaze, George V. Higgins, Thomas McGuane, Robert Stone, Ken Kesey, Gordon Lish, Ernest Gaines, and Larry McMurtry. He served as a special assistant to Secretary of the Interior Stewart Udall and was elected to the Sierra Club's board of directors for a term that lasted 1964–1966. He also moved into a house near Matadero Creek on Three Forks Road in nearby Los Altos Hills and became one of the town's most prominent residents. In 1962, he co-founded the Committee for Green Foothills, an environmental organization dedicated to preserving and protecting the hills, forests, creeks, wetlands and coastal lands of the San Francisco Peninsula.[14]Stegner's novel Angle of Repose (first published by Doubleday in early 1971) won the Pulitzer Prize for Fiction in 1972.[2] Yet it was based on the letters of Mary Hallock Foote (first published in 1972 by Huntington Library Press as the memoir A Victorian Gentlewoman in the Far West). Stegner explained his use of unpublished archival letters briefly at the beginning of Angle of Repose but his use of uncredited passages taken directly from Foote's letters caused a continuing controversy.[15][16]
Stegner also won the National Book Award for The Spectator Bird in 1977.[3] In the late 1980s, he refused a National Medal from the National Endowment for the Arts because he believed the NEA had become too politicized. Stegner's semi-autobiographical novel Crossing to Safety (1987) gained broad literary acclaim and commercial popularity.
Stegner's non-fiction works include Beyond the Hundredth Meridian: John Wesley Powell and the Second Opening of the West (1954), a biography of John Wesley Powell, who was the first man to explore the Colorado River through the Grand Canyon and later served as a government scientist and advocate of water conservation in the American West. Stegner wrote the foreword and edited "This Is Dinosaur," with photographs by Philip Hyde, a Sierra Club book that was used in the campaign to prevent dams in Dinosaur National Monument and helped launch the modern environmental movement. A substantial number of his works are set in and around Greensboro, Vermont, where he lived part-time. Some of his character representations (particularly in Second Growth) were sufficiently unflattering that residents took offense, and he did not visit Greensboro for several years after its publication.[17]
Legacy
On the occasion of the 100th anniversary of Stegner's birth, Timothy Egan reflected in The New York Times on the writer's legacy, including his perhaps troubled relationship with the newspaper itself. Over 100 readers including Jane Smiley offered comments on the subject.[18]One commenter to The Times, Stephen Trimble, a 2008–2009 Wallace Stegner Fellow at the University of Utah's Tanner Humanities Center, drew attention to the broader Utah birthday tribute to Stegner through leading conversations about Stegner’s work in communities across Utah.[19] Gov. Jon Huntsman's declaration of February 18, 2009 as Wallace Stegner Day highlighted Stegner as "one of Utah's most prominent citizens...a legendary voice for Utah and the West as an author, educator, and conservationist...[who was] raised and educated in Salt Lake City and [at] the University of Utah, [and] possess[ed] a lifelong love of Utah’s landscapes, people, and culture."[20] See more on the Utah centennial tributes at www.stegner100.com.
In recognition of Stegner's legacy at the University of Utah, The Wallace Stegner Prize in Environmental or American Western History was established in 2010 and is administered by the University of Utah Press. This book publication prize is awarded to the best monograph the Press receives on the topic of American western or environmental history within a predetermined time period.[21]
Lewis-Clark State College in Lewiston, Idaho has a history of presenting an annual lecture titled after Stegner. The Wallace Stegner Lecture has long been a literary-cultural highlight for the LCSC community. Named in honor of Western writer Wallace Stegner, the annual lecture features discussions about the writer’s relationship with the physical and psychological territories in which he or she resides.
The Stegner Fellowship program at Stanford University is a two-year creative writing fellowship. The house Stegner lived in from ages 7 to 12 in Eastend, Saskatchewan, Canada was restored by the Eastend Arts Council in 1990 and established as a Residence for Artists.[22] In 2003, indie rock trio Mambo Sons released the Stegner-influenced song "Little Live Thing / Cross to Safety" written by Scott Lawson and Tom Guerra, which resulted in an invitation for Lawson to serve as Artist-in-Residency for March 2009.
In May 2011, the San Francisco Chronicle reported that Stegner's Los Altos Hills home, which was sold in 2005, is scheduled to be demolished by the current owners. Lynn Stegner said the family attempted to sell the home to Stanford University in an attempt to preserve it, but the university said the home would be sold at market value, customary for real estate donated to Stanford. Wallace Stegner's wife, Mary said that Wallace would disapprove of the fuss surrounding the issue. In addition, when the town wanted to name a path near their home after him, he said "No." [23] However, Mary Stegner confided that her husband later came to enjoy walking on it, and the path was eventually named for him posthumously, in 2008.[24]
Bibliography
- Novels
- Remembering Laughter (1937)
- The Potter's House (1938)
- On a Darkling Plain (1940)
- Fire and Ice (1941)
- The Big Rock Candy Mountain (1943), autobiographical
- Second Growth (1947)
- The Preacher and the Slave (1950), reissued as Joe Hill: A Biographical Novel
- A Shooting Star (1961)
- All the Little Live Things (1967)
- Angle of Repose (1971), winner of the Pulitzer Prize[2]
- The Spectator Bird (1976), winner of the National Book Award[3]
- Recapitulation (1979)
- Crossing to Safety (1987)
- Collections
- The Women on the Wall (1950)
- The City of the Living: And Other Stories (1957)
- Writer's Art: A Collection of Short Stories (1972)
- The American West as Living Space (1987)[25]
- Collected Stories of Wallace Stegner (1990)
- Late Harvest: Rural American Writing (1996), with Bobbie Ann Mason
- Chapbooks
- Genesis: A Story from Wolf Willow (1994)
- Nonfiction
- Mormon Country (1942)
- One Nation (1945), with the editors of Look magazine
- Beyond the Hundredth Meridian: John Wesley Powell and the Second Opening of the West (1954)
- Wolf Willow: A History, a Story, and a Memory of the Last Plains Frontier (1962), autobiography
- Wilderness Letter (1960) [Note 1]
- The Gathering of Zion: The Story of the Mormon Trail (1964)
- Teaching the Short Story (1966)
- The Sound of Mountain Water (1969)
- Discovery! The Search for Arabian Oil (1971)
- The Uneasy Chair: A Biography of Bernard Devoto (1974)
- Writer in America (1982)
- Conversations with Wallace Stegner on Western History and Literature (1983)
- This Is Dinosaur: Echo Park Country and its Magic Rivers (1985)
- American Places (1985)
- On the Teaching of Creative Writing (1988)
- Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1992), autobiographical
- Short Stories
- "Bugle Song" (1938)
- "Chip Off the Old Block" (1942)
- "Hostage" (1943)
Awards
- 1937 Little Brown Prize for Remembering Laughter
- 1945 Houghton-Mifflin Life-in-America Award and the Anisfield-Wolf Book Award for One Nation[26]
- 1950–1951 Rockefeller fellowship to teach writers in the Far East[26]
- 1953 Wenner-Gren Foundation grant[26]
- 1956 Center for Advanced Study in the Behavioral Sciences fellowship[26]
- 1967 Commonwealth Club Gold Medal for All the Little Live Things
- 1972 Pulitzer Prize for Fiction for Angle of Repose[2]
- 1976 Commonwealth Club Gold Medal for The Spectator Bird
- 1977 National Book Award for Fiction for The Spectator Bird[3]
- 1980 Los Angeles Times Kirsch award for lifetime achievement
- 1990 P.E.N. Center USA West award for his body of work
- 1991 California Arts Council award for his body of work
- 1992 National Endowment for the Arts (refused)[clarification needed]
The Encyclopedia of World Biography reports that the Little Brown prize was for "$2500, which at that time was a fortune. The book became a literary and financial success and helped gain Stegner [the] position ... at Harvard."[26]
References
- Notes
- ^ According to Utah Gov. Huntsman in 2009, Wilderness Letter helped win passage of the Wilderness Act in 1964.[20] See also the Timeline of environmental events and the full text of the letter at The Wilderness Society Web site. Retrieved 2-24-09.
- Citations
- ^ Evelyn Boswell (2006-10-05). "New Stegner professor to hit the ground running". Montana State University News Service. Retrieved 2007-09-09.
- ^ a b c d "Fiction". Past winners & finalists by category. The Pulitzer Prizes. Retrieved 2012-03-29.
- ^ a b c d "National Book Awards – 1977". National Book Foundation. Retrieved 2012-03-29.
(With essay by Harold Augenbraum from the Awards 60-year anniversary blog.) - ^ Stegner, Wallace, "Where the Bluebird Sings to the Lemonade Springs" Random House, 1992, back cover.
- ^ http://www.nytimes.com/2008/05/18/books/review/Wilson-t.html?_r=0
- ^ http://www.wilderness.net/NWPS/Stegner?print=yes
- ^ http://www.enotes.com/wallace-stegner-salem/wallace-stegner-9810000779
- ^ William H. HOnan, "Wallace Stegner Is Dead at 84; Pulitzer Prize-Winning Author," New York Times, April 15, 1993.
- ^ Wallace Stegner Biography. by James R. Hepworth The Quiet Revolutionary. Retrieved 2-24-09.
- ^ "Wallace Stegner Is Dead At 84; Pulitzer-Prize Winning Author." Honan, William H., New York Times, 15 April 1993, sec. B, p. 8. Link retrieved 2-19-09.
- ^ "Lynn Stegner Interview: Wallace Stegner Documentary" John Howe, interviewer; KUED-TV, n.d. Retrieved 2-19-09
- ^ Biography: Lynn Stegner University of Nebraska Press. Retrieved 2-19-09.
- ^ "The power of his pen - The Selected Letters of Wallace Stegner" Review by Susan Salter Reynolds, LA Times, Nov. 18, 2007. Retrieved 3-12-09.
- ^ "Committee for Green Foothills". Retrieved 2012-07-07.
- ^ Mary Ellen Williams Walsh, 'Angle of Repose and the Writings of Mary Hallock Foote: A Source Study,' in Critical Essays on Wallace Stegner, edited by Anthony Arthur, G. K. Hall & Co., 1982, pp. 184-209.
- ^ "A Classic, or A Fraud? Plagiarism allegations aimed at Stegner's Angle of Repose won't be put to rest" by Philip L. Fradkin, Los Angeles Times, 3 February 2008, sec. M, p. 8. Link upgraded 2-19-09.
- ^ Joseph Gresser, "Wallace Stegner’s birthday celebrated with a hike and some talk, The Chronicle (Barton, Vermont), September 20, 2009.
- ^ "Stegner’s Complaint" by Timothy Egan, "Outpost" blog, The New York Times, Feb. 18, 2009 10:00 pm. Retrieved 2-19-09.
- ^ http://isotope.usu.edu/pages/issues/issue_7.1/trimble.html Retrieved 12-1-09.
- ^ a b stegner100.com Stegner Centennial Utah Web site. Retrieved 2-24-09.
- ^ "Stegner Prize". University of Utah Press. Retrieved 2011-06-29.
- ^ Stegner House Web site. Retrieved 2-24-09.
- ^ Whiting, Sam (2011-05-14). "Wallace Stegner's studio destined for demolition". San Francisco Chronicle. Retrieved 2011-05-14.
- ^ L. A. Chung (2011-05-15). "Writer Wallace Stegner's Home Appears Headed for Demolition". Los Altos Patch. Retrieved 2012-07-07.
- ^ Derives from a series of three William W. Cook Lectures delivered at the Law School of the University of Michigan in Ann Arbor on October 28,29 an 30, 1986. ISBN 0-472-06375-8
- ^ a b c d e f "Wallace Stegner" Encyclopedia of World Biography. Thomson Gale. 2004. Retrieved 2-24-09.
Further reading
- Arthur, Anthony, ed (1982). Critical Essays on Wallace Stegner. G. K. Hall & Co.
- Benson, Jackson J. (1984). Wallace Stegner: His Life and Work.
- Fradkin, Philip L. (2007). "Wallace Stegner's Formative Years in Saskatchewan and Montana" in Montana: The Magazine of Western History, Winter 2007, Vol. 57, No. 4, pp. 3–19.
- Fradkin, Philip L. (2008). Wallace Stegner and the American West.
- Hepworth, James R. (1998). Stealing Glances: Three Interviews with Wallace Stegner Albuquerque: University of New Mexico Press. ASIN: B0014JC0I6.
- Steensma, Robert C. (2007). "A Residual Frontier Town: Wallace Stegner's Salt Lake City" in Montana: The Magazine of Western History, Winter 2007, Vol. 57, No. 4, pp. 20–23)
- Steensma, Robert C. (2007). Wallace Stegner's Salt Lake City, Salt Lake City: University of Utah Press, ISBN 0-87480-898-7, ISBN 978-0-87480-898-8.
- Stegner, Page, ed (2008). The Selected Letters of Wallace StegnerShoemaker & Hoard, ISBN 1-58243-446-8, ISBN 978-1-58243-446-9.
- Stegner, Wallace (1983). Conversations with Wallace Stegner on Western History and Literature. Salt Lake City: University of Utah Press.
- Topping, Gary (2003). Utah Historians and the Reconstruction of Western History Norman, OK: University of Oklahoma Press, ISBN 0-8061-3561-1.
- Willrich, Patricia Rowe (1991). "A Perspective on Wallace Stegner" (1991) in Virginia Quarterly Review, Spring 1991, pp. 240–59.
External links
- Works by or about Wallace Stegner in libraries (WorldCat catalog)
- James R. Hepworth (Summer 1990). "Wallace Stegner, The Art of Fiction No. 118". The Paris Review.
- The Wallace Stegner Environmental Center website
- Books by Wallace Stegner: An Annotated Bibliography
- Website for PBS Wallace Stegner documentary
- Web site for Wallace Stegner at Marriott Library, University of Utah
- Wallace Stegner's West at California Legacy Book Series
- Wallace Stegner Bio from San Francisco Public Library
- Wallace Stegner Bio on Answers.com
- 2 short radio segments of Stegner's writing from California Legacy Project Radio Anthology (scripts and audio)
- Profile of Stegner marriage, on Beyond the Margins
- Commitee for Green Foothills
NASA Histroy
NASA History
http://history.nasa.gov/
How did the computer on Gemini work?
http://www.ted.com/talks/burt_rutan_sees_the_future_of_space.html
The key is inspiration ... you make your decision between 3-12 years old
x
http://history.nasa.gov/
How did the computer on Gemini work?
http://www.ted.com/talks/burt_rutan_sees_the_future_of_space.html
The key is inspiration ... you make your decision between 3-12 years old
x
Computers in Spaceflight: The NASA Experience
Computers in Spaceflight: The NASA Experience
http://history.nasa.gov/computers/Part1.html
http://history.nasa.gov/computers/Part1.html
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